There is no form of music that matches the unequaled power and grandeur of opera, and very few singers embody those qualities quite like mezzo soprano Randa Melhem. She is an artist who has always gravitated towards the most passionate and expressive art.
Coming from a non-musical background, Randa discovered her love of opera while studying Applied Mathematics and Statistics at Harvard University. While she has been singing practically since she could walk, her initial performance experiences were in choral settings and in her vocal jazz a cappella group, The Radcliffe Pitches. She loved to perform but was constantly unsatisfied with the way her nerves interfered with her singing. It wasn’t until she joined the student-run Harvard College Opera as a junior that she realized what she was missing. From the moment she sang her first note as the Witch in Humperdinck’s Hänsel and Gretel, she found that the full power of her voice could be accessed with the classical technique. She knew she had to find a way to pursue opera as a career. Since then, she has shown a precocious aptitude for music that is typically considered dramatic.
Captivating audiences with the strength of her opulent mezzo-soprano voice, she was thrown into the deep end as a graduate student at the Peabody Conservatory of Music. With guidance from her teacher, Dr. Stanley Cornett, and following her own innate ability, she found herself swimming quickly. Throughout her development there, Randa showcased variety of characters and styles. Many of her roles have allowed her to explore her villainous side, but she also relishes the chance to explore her humorous nature. Comic characters like Frugola in Puccini’s Il tabarro and La Baronne in Massenet’s Chérubin come as easily as more serious roles, such as La zia principessa in Puccini’s Suor Angelica. While at Peabody, she also discovered a passion for early music, oratorio, and sacred music, having performed Handel’s Messiah, Mozart’s Requiem, and multiple arias from Bach’s Mass in B minor, Matthäus-Passion, and Johannes-Passion.
It wasn’t until attending Dolora Zajick’s The Institute of Dramatic Voices that she discovered her path forward. Maestra Zajick saw the potential of a true Verdian mezzo soprano, and since then Randa has been focusing on balancing the innate qualities of her dramatic voice with the ease and virtuosity of the bel canto repertoire.
Randa has worked with some of the industry’s best-regarded professionals from institutions such as The Metropolitan Opera and Teatro alla scala. She currently resides in Philadelphia, PA, her hometown.
Concert with Central Lakes Symphony Orchestra
It is hard to describe the thrill of creative joy which the artist feels when the conviction seizes her that at last she has caught the very soul of the character she wishes to portray, in the music and action which reveal it.
– Maria Jeritza